We're very happy to share a new blog post on the collection of Peter Rubin, written by guest writer Luisa González, a filmmaker, film programmer and researcher.
An interview with filmmaker Ariel Nasr about the once hidden and forbidden treasures of Afghan film heritage.
In July 2019 our colleague Aldo van Keulen came upon a curious film; a nitrate print with no title nor any other text, showing a Chaplin imitator in unrecognizable surroundings.
It is with great pleasure that we are sharing this blog post written by guest author and silent film expert Robert J. Kiss.
Peter Rubin’s Super8 films comprise a relatively smaller aspect of the entire Collection - only 62 reels, most 15 meters in length.
As part of our public lecture series This is Film! Film Heritage in Practice, a vintage Technicolor print of Vincente Minnelli’s Meet Me in St. Louis (1944) will be screened.
Dozen vol materiaal van Peter Rubin, klaar om uitgezocht te worden in het Collectiecentrum van Eye Filmmuseum.
Piles and piles of dusty boxes stacked on pallets, handwritten scribbles and stickers: pretty much every archivist’s nightmare awaited me on the first day of my internship at Eye.
Every year, Eye Filmmuseum inspects one of its three nitrate vaults in its entirety, in compliance with the requirements of the nitrate permit.
The greatest archival festival of the world is about to begin again in Bologna, from June 24th on! Eye is presenting films under different sections of the festival this year.
