In a new series of our From the fifth row... podcast, Cesar Majorana explores the shadowy world of obscure film festivals that don't really (or really don't) exist.
Musicians and composers of a new generation create mini film scores for a film clip from our collection. Part 19: LYZZA vs A Camp of Zingari Gypsies (1897).
Irene González-López, Lecturer in Japanese Studies, writes about Tanaka Kinuyo, a groundbreaking Japanese director in a studio system that actively discouraged female directors.
Lawyer Laura Burgers is committed to the rights of nature. She watched Stalker with that look. Sociologist Ruben Jacobs interviewed her.
Florine Wiebenga, Eye’s Hoofd Educatie, legt uit wat je van film kunt leren én hoe je als bezoeker ook iets van filmeducatie meekrijgt.
What does today’s spiritually starved consumer really need? Cinema Ecologica: Three Daffy Weeks focuses on our lust for shopping and our greed.
Musicians and composers of a new generation create mini film scores for a film clip from our collection. Part 18: Tammo Hesselink vs Upside Down Boxers (1899).
“Ik zie mezelf als verhalenverteller, niet per se als filmmaker.”
Meriem Bennani’s universe foregrounds a humor and playfulness that are often seen as revealing a more complex reality where remnants of colonialism pervade a now globalized world.
